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<channel>
	<title>Anna Smallman</title>
	<link>https://annasmallman.com</link>
	<description>Anna Smallman</description>
	<pubDate>Mon, 15 Oct 2018 13:20:40 +0000</pubDate>
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	<item>
		<title>Chippy</title>
				
		<link>http://annasmallman.com/Chippy</link>

		<comments></comments>

		<pubDate>Mon, 15 Oct 2018 13:20:40 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna Smallman

Chippy
&#60;img width="752" height="500" width_o="752" height_o="500" src_o="https://cortex.persona.co/t/original/i/964bbcafaf90650d54147db95eacc106a3c94b9b5db0daa8fb8c3c93005a2c45/DSC_0043_752.JPG" data-mid="555712" border="0" /&#62;

The work in itself is a script, to be read by a maximum of 10 people, all must pinky promise not to ever discuss the script again.There is no documentation of this script.This is the only information I will share about the script.This is the disclaimer...This is a work of non-fiction. Names, characters, businesses,places, events and incidents are real.There is no attempt at privacy for any individual named, norhave identifying details been changed.Any resemblance to actual persons, living or dead, or actualevents is purely intentional.These truths are being shared with you in confidence; andmust NOT under any circumstance be distributed until theyear 2080, which by then I expect all characters including theauthor shall be dead - (Unless of courseimmortality/reincarnation/eternal-shared-consciousness isdiscovered before then. If this is the case I'm fucked anyway.)Unquestionably you should not contact these characters, or publishanything you read/see/hear online.And as parting wisdom..."Do unto others as you would have them do unto you".


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		<excerpt>Anna Smallman  Chippy   The work in itself is a script, to be read by a maximum of 10 people, all must pinky promise not to ever discuss the script again.There is...</excerpt>

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	<item>
		<title>The Operatic Soliloquy</title>
				
		<link>http://annasmallman.com/The-Operatic-Soliloquy</link>

		<comments></comments>

		<pubDate>Mon, 15 Oct 2018 13:19:42 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna SmallmanThe Operatic Soliloquy




The Operatic Soliloquy of Anna Smallman is a fictional discussion between the future and past versions of the same character. The origins of this character are partly fictional, having been "born" from a psychic reading of Anna Smallman.The Soliloquy is split into three acts, focusing on the past, future, and external forces which are exempt from linear time. The two characters have the perspectives from the very end and the very beginning of the same life, and so in a way are alien to one another.The text is a direct transcription from the psychic reading, with pronouns and tenses adjusted to create the text of each character.The soliloquy becomes operatic when it is being performed. Two operatic singers are given the words, and the freedom to perform and sing the soliloquy by reading the text over an autocue.DURATION: 12.5 minutes.</description>
		
		<excerpt>Anna SmallmanThe Operatic Soliloquy     The Operatic Soliloquy of Anna Smallman is a fictional discussion between the future and past versions of the same...</excerpt>

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	<item>
		<title>Pantomime 2017</title>
				
		<link>http://annasmallman.com/Pantomime-2017</link>

		<comments></comments>

		<pubDate>Sun, 15 Apr 2018 16:22:16 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna Smallman
Pantomime



Every winter period has a seasonal panto. What makes a Fine Art performance any different?


In collaboration with staff and students from Fine Art Kingston, a generic Christmas Panto with an art history twist was created.

</description>
		
		<excerpt>Anna Smallman Pantomime    Every winter period has a seasonal panto. What makes a Fine Art performance any different?   In collaboration with staff and students...</excerpt>

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	<item>
		<title>Contact</title>
				
		<link>http://annasmallman.com/Contact</link>

		<comments></comments>

		<pubDate>Sun, 15 Apr 2018 15:58:20 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna Smallman


Contact:
a.k.s@hotmail.co.uk

&#60;img width="127" height="189" width_o="127" height_o="189" src_o="https://cortex.persona.co/t/original/i/ae8401eac094a399752eba332ab128a7c74a546a9710258bb060949c1701c561/tumblr_ogibbo0vUc1txe8e9o1_250-1.gif" data-mid="423990" border="0" /&#62;&#60;img width="127" height="189" width_o="127" height_o="189" src_o="https://cortex.persona.co/t/original/i/ae8401eac094a399752eba332ab128a7c74a546a9710258bb060949c1701c561/tumblr_ogibbo0vUc1txe8e9o1_250-1.gif" data-mid="423990" border="0" /&#62;&#60;img width="127" height="189" width_o="127" height_o="189" src_o="https://cortex.persona.co/t/original/i/ae8401eac094a399752eba332ab128a7c74a546a9710258bb060949c1701c561/tumblr_ogibbo0vUc1txe8e9o1_250-1.gif" data-mid="423990" border="0" /&#62;
Read more:
artistintroductions.com/anna-smallman/
</description>
		
		<excerpt>Anna Smallman   Contact: a.k.s@hotmail.co.uk   Read more: artistintroductions.com/anna-smallman/</excerpt>

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	<item>
		<title>Writings</title>
				
		<link>http://annasmallman.com/Writings</link>

		<comments></comments>

		<pubDate>Sun, 15 Apr 2018 15:58:02 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna Smallman

&#60;img width="2048" height="2048" width_o="2048" height_o="2048" src_o="https://cortex.persona.co/t/original/i/bc4b2c33834b7186a145db86830c6627353428c683f859ab5e6cbfb34760a12e/37229529_10215023003282089_2623493348702289920_n.jpg" data-mid="536141" border="0" /&#62;
‘Scripts’ (2018)&#38;nbsp;

£50

Volume 1 contains the scipts for 
*CENSORED*, Anna Smallman: The Operatic Soliloquy, 
Stage Directions, 
Unfinished Notes (Abereiddy), 
Set In A Multi-story Car Park Outside A Poundstretcher, 
panto, 
How The Form And Interpretation Of Scripts Influence Scripted Performance, 
Prose, 
and Garden.
If you are interested in your own copy of this book, please feel free to contact me at a.k.s@hotmail.co.uk pricing is open to negotiation.


</description>
		
		<excerpt>Anna Smallman   ‘Scripts’ (2018)&#38;nbsp;  £50  Volume 1 contains the scipts for  *CENSORED*, Anna Smallman: The Operatic Soliloquy,  Stage Directions, ...</excerpt>

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	</item>
		
		
	<item>
		<title>Stage Directions 2017</title>
				
		<link>http://annasmallman.com/Stage-Directions-2017</link>

		<comments></comments>

		<pubDate>Sun, 15 Apr 2018 15:52:50 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna Smallman


Stage Directions




&#60;img width="1280" height="960" width_o="1280" height_o="960" src_o="https://cortex.persona.co/t/original/i/c6b001f7b2345689eda02938e846077b6f744382b1d0585024d0bef8c4d3ceb5/GOPR0294.MP4_000234913.jpg" data-mid="424005" border="0" /&#62;
‘Stage Directions’ was first performed on 28/9/2017

4 Plays.4 Participants.Theatre in the round.Shared props.Audio instructions.Nothing but stage directions.No rehearsal.



Four performers are introduced into a space with individual audial instruction. Each performer represents one classic piece of literature. The plays have been stripped of all dialogue, leaving behind the stage directions. The props needed for the performers are scattered within the space and shared between the other performers.</description>
		
		<excerpt>Anna Smallman   Stage Directions      ‘Stage Directions’ was first performed on 28/9/2017  4 Plays.4 Participants.Theatre in the round.Shared props.Audio...</excerpt>

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	</item>
		
		
	<item>
		<title>Set In A Multi Story Car Park Outside a Poundstretcher 2017</title>
				
		<link>http://annasmallman.com/Set-In-A-Multi-Story-Car-Park-Outside-a-Poundstretcher-2017</link>

		<comments></comments>

		<pubDate>Sun, 15 Apr 2018 15:51:24 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna SmallmanSet In A Multi Story Car Park Outside a Poundstretcher



&#60;img width="829" height="616" width_o="829" height_o="616" src_o="https://cortex.persona.co/t/original/i/dac232ef2da64fc5b356eefe3bd893b9533496fa093cec07cf9178753e65d899/poundstretche11r.jpg" data-mid="424029" border="0" /&#62;
A screenplay about 3 men called Dai.


Dai Dai and Dai are dead.

Perpetually trapped in their towns multi-story car park, the Dai's journey through the car parks levels with the DI-rector, a nod towards the 9 circles of Hell in Dante's Divine Comedy.

These 'Articulate Scumbags' are trapped in the mindset their small town cultured, focusing on how they each did fuck-all in their lives.

</description>
		
		<excerpt>Anna SmallmanSet In A Multi Story Car Park Outside a Poundstretcher     A screenplay about 3 men called Dai.   Dai Dai and Dai are dead.  Perpetually trapped in...</excerpt>

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	</item>
		
		
	<item>
		<title>6° (Prose) 2018</title>
				
		<link>http://annasmallman.com/6-Prose-2018</link>

		<comments></comments>

		<pubDate>Sun, 15 Apr 2018 15:50:18 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna Smallman6°(Prose)

&#60;img width="4928" height="3264" width_o="4928" height_o="3264" src_o="https://cortex.persona.co/t/original/i/70a5e47210818a7c371885ac8843dbe31bcd09dfe6de420b6ca69e9769f06188/DSC_0168.JPG" data-mid="428255" border="0" /&#62;
Continuous writing from gloryholes to McDonald’s Chicken Mayo Legends. Everything has a connection to something else. Personal storytelling spoken through performers as the apparatus.
6 Perfomers directed and instructed from a distance on how to move within the space and interact with a stolen stage and peer artwork.</description>
		
		<excerpt>Anna Smallman6°(Prose)   Continuous writing from gloryholes to McDonald’s Chicken Mayo Legends. Everything has a connection to something else. Personal...</excerpt>

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	<item>
		<title>Garden 2018</title>
				
		<link>http://annasmallman.com/Garden-2018</link>

		<comments></comments>

		<pubDate>Sun, 15 Apr 2018 15:48:22 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna SmallmanA Family BBQ in the Back Garden

&#60;img width="960" height="719" width_o="960" height_o="719" src_o="https://cortex.persona.co/t/original/i/bb8f331b9bacbfa1cea4637feb179a2cbd6efc4ed25192a54171bceb6d849331/34408930_10155541331798531_4933137700325687296_n.jpg" data-mid="480691" border="0" /&#62;
First performed 2 June 2018





On a rectangular (3mx5m) “stage” covered in turf, a
shed, a BBQ and generic garden furniture. A family made of 13, with age ranging from
2 to 88 sit down for a summer lunch.



The
performers are enacting versions of themselves, and are instructed through
audio on what to say, where to move, and how to act. One
by one these characters are introduced to the stage by passing through the shed
which acts as the base of operations for the director.



Where
are the boundaries between organised and improvised? Orchestrated and spontaneity?











</description>
		
		<excerpt>Anna SmallmanA Family BBQ in the Back Garden   First performed 2 June 2018      On a rectangular (3mx5m) “stage” covered in turf, a shed, a BBQ and generic...</excerpt>

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	</item>
		
		
	<item>
		<title>Home Page</title>
				
		<link>http://annasmallman.com/Home-Page</link>

		<comments></comments>

		<pubDate>Mon, 17 Aug 2015 23:34:03 +0000</pubDate>

		<dc:creator>Anna Smallman</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>Anna Smallman



A Family BBQ in the Back Garden 2018

6°(Prose) 2018
Pantomime 2017
Set In A Multi Story 2017
Stage Directions 2017

The Operatic Soliloquy 2017
Chippy 2016
Writings
CV
Contact






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		<excerpt>Anna Smallman    A Family BBQ in the Back Garden 2018  6°(Prose) 2018 Pantomime 2017 Set In A Multi Story 2017 Stage Directions 2017  The Operatic Soliloquy 2017...</excerpt>

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